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By coupling these antithesis elemental motifs with the influences of Rochester, Bertha, and St. John, Bronte uses iterations of the ice motif to suggest that the extreme renunciation of self-desires and the embrace of rationality and spirituality shroud corporeal passions that would otherwise kindle warmth and individuality in a frigidly stratified society. Through Jane’s internal struggle with St. Through Jane’s internal conflict with Rochester and Bertha, Bronte employs a recurring fire motif to delineate the vulnerabilities of an unrestrained burning passion, with emotions overpowering the ability to reason and think. As Jane develops, conflicted with these polarized binaries, Bronte examines the dichotomy between the fire of passion and emotion and the ice of spirituality and rationality. In the novel Jane Eyre, Charlotte Bronte explores a patriarchal Victorian society, where Nature clashes with monotheist Christianity, and passion clashes with reason.
JANE EYRE PDF PDF
Be seated somewhere and until you can speakĬlick here for the PDF of the novel (text only, no questions).Ĭhapter 1 - 1. Something truly forbidding in a child taking up her elders in “Jane, I don't like cavillers or questioners besides, there is “What does Bessie say I have done?” I asked. Were-she really must exclude me from privileges intended only Sprightly manner-something lighter, franker, more natural, as it Observation, that I was endeavouring in good earnest to acquireĪ more sociable and childlike disposition, a more attractive and Until she heard from Bessie, and could discover by her own Had dispensed from joining the group saying, “She regretted toīe under the necessity of keeping me at a distance but that Neither quarrelling nor crying) looked perfectly happy. The fireside, and with her darlings about her (for the time
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Their mama in the drawing-room: she lay reclined on a sofa by The said Eliza, John, and Georgiana were now clustered round The chidings of Bessie, the nurse, and humbled by theĬonsciousness of my physical inferiority to Eliza, John, and Twilight, with nipped fingers and toes, and a heart saddened by I was glad of it: I never liked long walks, especially on chillyĪfternoons: dreadful to me was the coming home in the raw Rain so penetrating, that further out-door exercise was now out The cold winter wind had brought with it clouds so sombre, and a Reed, when there was no company, dined early) Indeed, in the leafless shrubbery an hour in the morning but